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J.S. Bach: Chorale: Es ist genug (BWV 60, #5) with analysis

BSG

1:21	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		12	0	3	6	100%
Bass		15	0	5	6	100%
Contrabass		15	0	5	6	100%
Soprano		6	0	1	4	100%
Tenor		12	0	4	5	100%

J. S. Bach: Sarabande (B minor orchestral suite, BWV 1067, #3)

BSG

3:15	Est. Play Time
34	Measures
	1,126Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute, Vln 1		18	0	6	7	100%
Violin		18	0	6	7	100%
Violin 2		18	0	5	6	97%
Contrabass		18	0	5	5	94%
Vcl/Continuo		18	0	5	5	94%
Viola		17	0	5	6	94%
Harpsichord		21	18	7	12	44%
		18	0	5	5	92%

J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)

BSG

7:34	Est. Play Time
106	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		16	0	5	5	100%
Soprano		18	0	6	6	99%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		16	0	5	5	100%
Soprano		18	0	6	6	99%
		16	0	5	5	98%
Alto		12	0	2	3	36%

Learn Continuo Realization! by BSG, Chap. 3: J. S. Bach: Flute Sonata in B minor (BWV 1030), II

BSG

1:51	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	0	6	7	100%
Hpschd.		20	40	6	6	92%
		19	1	3	5	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute		20	0	6	7	100%
Hpschd.		20	40	6	6	92%
		19	1	3	5	95%

Five beloved Bach continuo solos for realization exercise

BSG

1:27	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		25	0	7	6	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		25	0	7	6	100%

J.S. Bach: Sinfonia 9, F minor (BWV 795) (w/ detailed commentary!)

BSG

3:19	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		23	0	8	6	100%
Bassoon		28	0	10	5	97%
Flute		22	0	9	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola		23	0	8	6	100%
Bassoon		28	0	10	5	97%
Flute		22	0	9	6	94%

J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG

BSG

4:22	Est. Play Time
75	Measures
	1,889Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins		21	0	7	6	100%
Realization		17	66	3	4	99%
Continuo		20	0	5	3	99%
Violoncello		20	0	5	3	99%
Tenors		10	0	0	6	45%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
View all 17 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1		12	0	2	4	98%
		14	0	3	5	93%
		22	1	6	5	100%
		15	0	3	5	100%
CtoR		17	45	4	7	100%
		18	0	5	6	100%
Tenor		15	0	3	5	100%
Alto		12	0	2	4	98%
Continuo		20	1	6	5	98%
Contrabass		20	1	6	5	98%
Bass		19	0	6	5	93%
Flute		14	0	3	5	93%
Soprano		14	0	3	5	93%
Oboe		18	34	5	6	82%
Trombe 1 amp;amp; 2		11	0	1	5	51%
Timpani		2	0	0	5	22%
Tromba 3		11	0	1	5	22%

J. S. Bach: Christus, der uns selig macht (Urfassung; BWV 620A)(on Grabowski/Hauptwerk Giubiasco)

BSG

1:51	Est. Play Time
25	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		21	0	8	6	94%
		17	0	6	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		21	0	8	6	94%
		17	0	6	6	100%
		12	0	3	5	100%
Bass Trombone		12	0	3	5	100%

A. Turenkov: Разбойника благоразумнаго (The Wise Thief)

BSG

0:40	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	6	100%
Soprano		13	8	2	6	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto		11	0	3	6	100%
Soprano		13	8	2	6	100%
Tenor		13	8	3	6	100%
Bass		16	10	1	5	96%

J. S. Bach: Erbarme dich, mein Gott (Matthäuspassion, BWV 244, #39), with phrasing and proper appoggiature.

BSG

6:14	Est. Play Time
48	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		28	0	10	8	100%
Violoncello		25	0	8	3	100%
Violas		22	0	8	4	98%
Violins 1		19	0	6	7	98%
Violins 2		22	0	9	4	98%
Alto		17	0	6	7	75%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
		8	0	1	3	45%
Cello		16	0	3	5	100%
Violin		22	0	7	3	94%
		16	0	3	4	94%
Viola		13	0	2	5	94%
Alto		8	0	2	3	45%
Bass		14	0	1	3	45%
Soprano		7	0	1	5	45%
Tenor		8	0	1	3	45%

C. Wesley: Lo! He comes, with clouds descending (Helmsley) (arr. BSG 2016)

BSG

4:55	Est. Play Time
104	Measures
	1,402Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		16	1	3	6	100%
		16	0	2	6	100%
		13	6	2	6	100%
Voice		10	0	0	6	75%
		10	0	0	6	75%
Bass Trombone		16	0	2	5	25%
Descant		10	0	0	5	25%

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